Please click any of the links below
or browse
the Thumbnail images for more
information
When the European settlers
arrived, New Zealand was rich in timber resources, much of which
was still being extensively logged up until recent years. They
also brought many exotic plants which now dominate the 'civilised'
landscape. Many of our indigenous trees are at risk and logging
is strictly controlled. Most of the New Zealand timbers I use
are demolition timbers.
For more information, please
visit the links below
|
abbrv:
m = 1 metric metre (1000 metric millimetres)
Red
Beech
aka
Tawhairaunui
aka Nothofagus Fusca
|
 |
Grows
to a height of 30m with a smooth, whitish bark when
young, turning grey and deeply furrowed when old. The
heartwood is light to medium red/brown, sapwood is light
brown.
This is a very durable timber. |
|
Silver
Beech
aka
Tawhai
aka Nothofagus Maeziasii
|
 |
Silver
Beech is a beautiful and tall tree reaching a height
of 30m, with a trunk up to 2m through. Cherry-like bark
on young trees, greyish and furrowed when old, the timber
is a pale pink colour with a fine grain structure.
The tree is found in forests from sea level to 900m,
but is scarcely found in the North Island. There are
some dense stands in Southland and the Westport area.
Silver Beech is excellent for furniture production.
The 12,000 Olympic torches which runners used to carry
the flame around the world, and ultimately to Athens
in August 2004 were made from tawhai. |
|
Kahikatea
aka
White Pine
aka Podocarpus spicatus
|
 |
Kahikatea
is the tallest of the native trees and grows up to 60m.
The trunk is up to 1.6m across with smooth greyish bark.
The tree is found throughout New Zealand to an altitude
of 600m but mainly in lowland forests and on swampy
land.
The timber is odourless and has been widely used in
the past for the manufacture of butter boxes. The heartwood
is of yellow colour has also been used for boatbuilding.
Sap wood is almost white. It is a perishable wood and
requires protection. |
|
Kauri
aka
Agathis australis
|
|
Kauri
is the most famous native tree of New Zealand, and also
one of the largest in the world.
The tree grows up to an average of 30m and a massive
3m in diameter. The bark is light grey, hammer marked
and comes away in flakes. The timber is light and very
durable and of a straw or amber colour, virtually free
from knots and other defects.
Swamp Kauri is heavier and weaker but the colour highlights
are much improved. The depth of colour depends on the
PH of the swamp the trees were buried in.
Kauri once covered much of the area of North Auckland
and the Coromandel, but to date there are only relatively
small areas where it grows.
Maori have been known to construct a 25 meter canoe
out of a single Kauri trunk. It is our most popular
boat building wood. It is easily worked with a great
"glow" to the finish.
Today's resources are minimal, and Kauri logs are being
salvaged from swamps where it has been buried for up
to 45,000 years, and from forest floors. You can buy
items crafted from swamp Kauri which have a certificate
of authenticity as to the age of the timber, but there
is no guarantee that that item was from a log that has
been carbon or ring dated.
Much of this timber was felled and buried by the Taupo
eruption about 26,500 years ago. Although two pieces
of Northland Kauri have been carbon dated at 45,000
+ years old by Waikato University. Therefore almost
all Swamp Kauri recovered is advertised as 45,500 year
old workable timber, and although some do give a 30,000
- 40,000 dating to their items, not every tree recovered
has been dated, and some may be much younger, as for
example the Waikato Swamp Kauri at 26,500years. This
is easily dated, not from the timber, but the volcanic
ash that surrounds the logs, and there are areas of
swamp where the trees are much younger and cover several
tree species. |
|
|
Liquid-Amber
aka
American Red Gum
aka Sweet
Gum
aka Liquidamber styraciflua
|
 |
A
beautiful garden tree but with a bad habit of dropping
large branches or splitting out from the top, so felled
garden trees are fairly common. Colour is variable from
white to mid brown.
Dry timber used as firewood is hard to split, however
the wood works like a soft wood, and although I haven't
tried, it apparently takes a stain well. |
|
Matai
aka
Black Pine
aka Prumnopitys taxifolia
|
 |
Like
most of our natives it is becoming rare to obtain. But
it is still being milled on occasion.
Matai is a robust tree reaching up to 30m with a tall
straight trunk up to 1.3m across and grows up to 700m
altitude. Matai trees can be easily recognised by their
flaking hammer mark grey bark. The leaves are aromatic
when crushed. The wood is variable in colour from straw
to golden brown, and dark brown to black.
Matai grows throughout New Zealand but is abundant in
the central North Island.
It is heavy wood that is good to work with, and pleasing
because of the range of colours. Although the black
timber is hard to find now, as it was not a prized colour
in the past and now is only of use to wood workers as
a highlight wood. The timber often changes colour markedly
depending on whether you are viewing across or along
the grain.
In the sizes I work with it is readily steam bent. Very
hard wearing and was used for floor boards but I also
find some house framing sizes as well. |
|
Rewarewa
aka
Honey Suckle
aka Knightia excelsa
|
 |
Named
for the flowers that resemble English honey suckle and
the cell like pattern in the wood giving it a honey
comb look. Grows up to 30m and is a tall upright tree
which forms a column a shape that is very distinctive.
It is a beautiful wood when quarter sawn, light brown
with dark to black cell edges.
It is prone to warping and twisting in the drying stage
and is hard and very wear resistant. Work with the grain
and it can be planed and sanded with ease. It can occasionally
prove difficult to work in small pieces due to the softer
dark wood sloughing off the worked edges.
A heavy wood that is best used in small inlays or strips
to avoid the "busy" look |
|
Rimu
aka
Red Pine
aka Dacrydium cupressinum
|
|
|
Rimu grows to between 20-35m and
sometimes up to 50m. The trunk is up to 1.5m through
and the bark is dark brown with a flaking texture.
It has pine like qualities when planed and sanded
and can be steam bent. The sapwood is fairly plain,
but the heart wood can have an interesting grain.
It is one of our cheaper natives and readily available.
Rimu is one of the best known species in New Zealand,
is an excellent timber tree and is much prized by
woodworkers. The dust from sanding can cause lung
problems
|
|
Salu-Salu
aka
Pacific Rimu
aka Decussocarpus Vitiensis
|
 |
This
is not a New Zealand timber, but is now common in timber
stacks. Sold as Pacific Rimu, Pac Rimu or even just
as Rimu, it is commonly used as an alternative to sap-wood
Rimu.
Very soft to use, takes 3x as much oil as other timbers
to get a reasonable finish.
Mostly used for furniture and mouldings. A very pale
uninteresting straight grained wood. The timber will
darken with age but in no way matches NZL Rimu for finish
quality. |
|
Tawa
aka
Beilschmiedia tawa
|
 |
Tawa
is a tall erect forest tree which develops buttress
roots as it grows old. The white wood is straight grained,
but soft. It belongs to the same family as Bay tree
(laurel). Dry heartwood is bright creamy brown except
for contrasting dark brown to black pathological heart
in large logs. Sapwood is difficult to distinguish from
heartwood. The grain is moderately fine and straight.
This is a hardwood that is prone to shrinkage, warping
and twisting in the drying stage. |
|
Totara
aka
Podocarpus totara
|
 |
Totara
is one of the majestic forest canopy trees growing from
sea level to 600m, with a straight trunk up to 20m,
at around 100 years of age. Totara is also recognised
by the distinctive bark, which flakes off in thick brown
slabs. The timber is soft and of a beautiful reddish
colour with a straight grain.
It has been extensively used by Maori to build meeting
houses, carved panels and carved canoes. It was used
extensively for house piles and fence posts because
of its extreme durability.
The timber however contains natural oil which makes
it very difficult to paint, however, it is still a prized
carving timber. |
|
|
 |
 |
|